€AT has been conceived of as an allegory of a dinner party, where creation and accessibility meet. Curated by Nora Cristea and Vincent Schneider and commissioned by Kevin Muhlen, this metaphoric, inclusive and open-ended project brings together the work of fifty international artists in a large catalogue of limited-edition artworks available for purchase at affordable prices. Like a visual banquet, the works are exhibited across two large tables, their horizontal display underlining the equal treatment given to each of the participating artists. Each piece, whatever its format, becomes the medium of a unique experiment at the intersection of art, design and pop culture.

€AT is a play on words between the verb “eat” (referring to the scenography of the banquet) and the acronym CAT (Contemporary Artist Things). By adding the two horizontal lines of the euro sign to the C, €AT subtly highlights the underlying economic dimension of the speculations on the international art market, as opposed to social impact approaches. The artworks on display are listed with their prices and can be bought simply by asking at the Casino Luxembourg front desk. The profits of the sales are forwarded to respective artists and CAT, supporting both the artists and the online art platform.

A number of new works, specially conceived for the exhibition, will be launched by artists Angélique Aubrit & Ludovic Beillard, Vanessa Brown and Mariechen Danz, who have been supported in their production process by Casino Luxembourg – Forum d’art contemporain.

Vanessa Brown was invited to participate in this programme by Kevin Muhlen; Mariechen Danz by Nora Cristea and Vincent Schneider; and Angélique Aubrit & Ludovic Beillard by Agnes Gryczkowska, curator of the exhibition Theatre of Cruelty, which will be on view at Casino Luxembourg from November 15th 2025 until February 8th in which the two artists are exhibiting.

With works by: 
Alexander Ruthner, Andi Fischer, Angélique Aubrit & Ludovic Beillard, Aniara Omann, Arthur Löwen, Conny Maier, David Schiesser, Dennis Buck, Felix Schroeder, Grégory Sugnaux, Hanna Sophie Dunkelberg, Immanuel Birkert, Istihar Kalach, Ivan Perard, Jan Zöller, Jane Garbert, Janes Haid-Schmallenberg, Johannes Bendzulla, Katharina Höglinger, Katharina Schilling, Laura Welker, Lito Kattou, Lukas Thaler, Maria Schumacher, Mariechen Danz, Mary-Audrey Ramirez, Maximilian Kirmse, Max Kreis, Merav Kamel & Halil Balabin, Mevlana Lipp, Monika Grabuschnigg, Nadia Barkate, Nschotschi Haslinger, Peter Oliver Wolff, Petros Moris, Philip Hinge, Ralph Schuster, Robert Brambora, Sangun Ho, Siggi Sekira, Tanja Nis-Hansen, Tenki Hiramatsu, Tim Plamper, Tom Król, Ulrich Okujeni, Vanessa Brown, Vika Prokopaviciute, Wieland Schönfelder, Wolfgang Matuschek, Zuzanna Czebatul

Photos: Courtesy of Casino Luxembourg, by Lynn Theissen 

Vanessa Brown, Rose Absolute, 2025, silkscreen print, 60 × 40 cm, Ed. of 25 + 5 AP


Alexander Ruthner, Glow in the Dark, 2020, Screen print on black SUMO cardboard, phosphorescent UV color, DIN A3, Ed. 50 + 9 AP


Andi Fischer — Ta ta Reh füttern, 2020, Druck auf 300g Munken Papier, einzeln mit Buntstift ausgemalt, 21 × 29,7 cm, Ed. 21 + 3 AP


Angélique Aubrit & Ludovic Beillard, Vous n’avez pas peur de la prison?, 2025, Mixed Media, 31,3 × 34 × 33,4 cm, 30 unique sculptures

Aniara Omann, You-holder, 2022, Recycled and cast HDPE plastic (milk jugs, cosmetics bottles, cleaning products bottles, pill bottles, bottle caps), ≈ 15 x 15 x 20 cm, Series of 6

Arthur Löwen, Extrakt, 2020, Screenprint on paper, 56 x 42 cm, Ed. of 30 + 5 AP

Conny Maier — Im Trüben, 2019, Ölpastell auf Laserprint, 80g/m2 Papier, rosa, 21 × 29,7 cm, Ed. of 30/30 + 5 AP

David Schiesser, Die Waschung, 2024, Screen print with ultramarine blue, hand print on handmade paper, 80 × 24,5 cm, Ed. of 33 + 3 AP

Dennis Buck, sorry I lost my phone, 2021, Screen print, Aluminium paper on 300g Hahnemühle Paper, 40 x 30 cm, Ed. of 30 + 6 AP

Felix Schroeder, Drama, 2022, UV digital Print on canvas, 80 x 20 x 2,5 cm, Ed. of 10 + 5 AP


Grégory Sugnaux, Midnight Swim, 2020, Lithography on deckle-edge paper, 56,5 × 38,2 cm, Ed. of 30 + 5 AP


 Hannah Sophie Dunkelberg, Pasticci I, 2025, Polystyrol Relief und Lack, 44.1 x 27.2 x 0.4 cm

Isthiar Kalach, LOST, 2020, Glasierte Keramik, 26 x 19 x 1 cm, Ed. of 27 + 4 AP


Ivan Perard, Anthropomorphic Displacement, 2021, Inks, Acrylics and Lacquer on PLA, 20 x 10 x 7 cm, Ed. 20 + 5 AP


Jan Zöller, Don Angelo, 2018, offset-print on Biotop paper Druck/print, 46 × 65 cm, Ed. of 25 + 5 AP

Jan Garbert, unchain my heart edition, 2024, Series of unique, handcolored socks


Janes Haid-Schmallenberg, Tile of Life and Death, 2020, glazed tile, 15 × 15 cm, Ed. of 30 + 3 AP


Johannes Bendzulla, o.T. / untitled, 2020, Inkjet Print (Epson Ultra Chrome) on Hahnemühle mould-made paper 190g/m², 40 × 30 cm, Ed. of 30 + 5 APs

Laura Welker — HOT LEGS, 2018, Glazed ceramic variierende, Variable dimensions approx. 8 × 14 × 5 cm Ed. of 20/20

Lito Kattou & Petros Moris, Survival Cards, AM issue 4 GAIA, 2021, Laser-cut steel
, 8,7 x 5,5 cm, Ed. 20 of 200 + 5 AP
Left to right: Maria Schumacher, Empty Hands, 2020 | Immanuel Birkert, Riverscapes, 2021 | Katharina Schilling, 2020


Left to right: Mary-Audrey Ramirez, Herpes is annoying, 2024 | Maximilian Kirmse, Ratte, 2019


Max Kreis, 9122, 2021, UV-print on perforated sheet metal, 25 x 50 cm, Ed. of 10 + 2 AP, This work comes with 4 magnetic wall mounts.

Merav Kamel & Halil Balabin, The Oven of Akhnai, 2021, Painted laser-cut iron, 35 × 40 cm, Coated laser-cut steel, 35 × 40 cm, Ed. of 30 


Mevlana Lipp, Calyx, 2020, 100 % Polyacryl
, 140 × 16 cm
, Ed. of 50 + 10 AP

Nadia Barkate, Tuya gigante, tuya occidental, 2020, Watercolor on Hahnemühle 300 g, hot pressed, 17 × 24 cm, Ed. of 10

Nschotschi Haslinger, Atem, Dr. Gut, 2019—2025, Glazed ceramic, various dimensions, Series of 7 unique works

Peter Oliver Wolff, Bathed In Lightness, 2022, Ditone print on Ilford Galerie Smooth Gloss 310 gsm, resin, 90 x 60 cm, Ed. of 15 + AP 

Philip Hinge, Silckscreen on black Gildan Hammer, Heavy Blend, 203g/m², 100 % cotton long sleeve, Ed. of 50 + 5 AP

Ralph Schuster, Eyes to the Sky, 2020, 2-color screen printing, gouache (black) and acrylic (white) on MDF, 28,5 × 16 × 1 cm, Ed. of 11 + 3 AP

Robert Brambora, Kleine Köpfe, 2020, glazed ceramic, various dimensions, ca. 7 x 7 x 5 cm, Series of 9

Sangun Ho, Love of Pigeons, 2022, Fine Art Druck auf mediaJET Litho Archiv mat, 42 × 29,7 cm, 30 + 3 AP

Tanja Nis-Hansen, God Damn Körper, 2018, Gouache on paper, 32 × 24 cm, Unique work from the CAT Archive 

Tenki Hiramatsu, o.T., 2021, Lithography, watercolor on Hahnemühle, 30 x 40 cm, Ed. of 20

Tim Plamper, Event Horizon 001–012, 2022, Mixed Media auf Papier, 29,7 x 21 cm, Serie von 12 

Ulrich Okujeni, Look far into the past and into the future, 2024
, CMYK silkscreen print on Bütten
, 65 × 51 cm, Ed. of 30

Vanessa Brown, Rose Absolute, 2025, silkscreen print, 60 × 40 cm, Ed. of 25 + 5 AP


Vika Prokopaviciute, Romanesco Side Surfaces, 2020, Digital painting, digital C-Print on FujiFlex Super Glossy, mounted on Alu-Dibond 3mm, 37 x 30 cm, Ed. of 10 + 2 AP

Wieland Schönfelder — Ich fühlte den großen Schrei in der Natur, 2019
3D print, colored, 17 cm × 13 cm
Ed. of 9/9


Wolfgang Matuschek, untitled #7, 2020, Siebdruck auf 300g Hahnemühle, Siebdruck auf Glas in Aluminium Clip Rahmen, 20,3 x 28 cm, Ed. of 40 + 10 AP

Zuzanna Czebatul, Dirty Boots, 2020, Coconut doormat, 70 × 40 cm, First edition / Erstauflage